**Best Gangster Movies You Should Consider Watching At Least Once!**
The best gangster movies of all time reveal a treasure trove of memorable characters, unforgettable plot lines, dialogues, and violent set-pieces that are all grounded in a reality that feels so far away but is often just below the surface. Hats and pinstripe suits, cities, and firearms. The best time for the gangster movie genre is the one of Martin Scorsese, De Palma, and the 1980s, but it has been revived in a splatter version by the postmodern Tarantino and more realist directors and remains a genre enjoyed by audiences and critics alike. A very American genre but that has been flourishing also in other parts of the world, it is often intertwined with mob stories and true stories.
Cinema has a habit of making gangsters look cool. It seems the big screens just can’t get enough of the bad guys, and gathering the best gangster movies of all time have not been an easy feat. But it’s not just the romantic tough-talk, the bloody action, and the glitzy allure of high-flying mobsters that gets us. The gangster genre shows us how criminal networks operate with their own fiercely moral codes, for the possibility people have to build up their legacy from the ground up and for always walking the fine line between the need to resort to violence and protect their codes of honor and family, in their quest to become rich, powerful, and remembered. All the while juggling the needs of their real families with that of their other mob “family”.
As the main charismatic characters, especially the mafiosi that have gone from rags to riches, are often left to wonder, the Tony Soprano’s timeless question of if “ Is this all there is?” We’ve sifted through the centuries of Hollywood work to unearth the 28 best gangster movies of all time. Call it an offer you can’t refuse.
### The best gangster movies of all time. In no particular order.
**Infernal Affairs (2002)**
Mixing eye-popping action with existential steez, *Infernal Affairs* has something more mystifying than any gangster movie before it. What makes it special is the inner turmoil caused by living a lie. If everyone you know and everything you do indicates you are one kind of person and you’re not that person, how d’you live with that? The simple concept of a police mole among the Triads and a Triad mole among the cops – each racing to uncover one another – is the hook for a complex network of suitably tense crosses that have us hugging ourselves with excitement each time we sit down to revisit Chan Wing-Yan and Lau Kin Ming.
**The Godfather I-III (1972-1990)**
Coppola’s trilogy constitutes one of the greatest in cinematic history and – through an ingenious fusion of European cinema and American exploitation movies – an outstanding study of family life and organized crime falls into place. The films don’t spoon-feed answers and motivations. In fact, Coppola took a pulpy, salacious novel and pretty much turned it into a bunch of guys sitting around in dark rooms, murmuring. But, every review praises the living hell out of *The Godfather* trilogy. You know why? Because it’s the perfect character-drama. Few films ever made have been able to get the audience up to speed on so many members in such a short period of time. Brando created one of the most iconic characters in the history of movies with a couple of cottonballs in his mouth, and you can virtually see Al Pacino’s inner struggle and decision to finally and irrevocably cross the line.
**Pulp Fiction (1994)**
“I – say – God – DAMN!” Still one of the most quotable films today, *Pulp Fiction* managed to synthesize the serious brutality of gangster movies before it with the wacky violence of cartoons and the kind of directionless excitement that only Tarantino can conquer; all to the story of a burger-loving hit-man, his philosophical partner, a drug-addled gangster’s moll, and a washed-up boxer. A huge part of what makes this movie so massively memorable is the riffing dialogue that seamlessly combines humor and terror in intelligent conversations. From the very first words uttered, you know you’re watching something special.
**Goodfellas (1990)**
The allure of the mafia is what this visceral view of New York’s gangster scene is really all about. To Henry Hill – who’s based on the real-life crook of the same name – joining the mob is a valid career choice. We’re taken on a seductive tour of a restaurant meeting between “good fellas” and “wise guys” (yep, the screenplay is based on true-crime author Nicholas Pileggi’s book *Wiseguy*) and made to covet the bling of gangsterdom; cars, watches, women. But later, we share the hero’s tragic-but-not-undeserved downfall. He’s no anti-hero. He’s no victim. He’s a dirty criminal who descends into a fidgety, paranoid mess. Somewhere, though, the real Henry Hill is still laughing; he got the fame he always craved!
**The Traitor (2019)**
Through the narrative focused on mafia turncoat Tommaso Buscetta, the so-called “boss of the two worlds,” the first mafia informant in Sicily in the 1980s, the director recounts the very serious vices and unforgivable sins inherent in Italy, in the State system in general, beyond the confines of the case dealt with. So, we have the historical narrative and the consequent register alternating with a more human and intimate look not only directed at the figure of Buscetta but in general at that of the man who retraces his steps and who, betraying on several levels and in several directions, metaphorically rises to the title of a hero. Albeit with all the caution of the case in defining as such those who espoused crime and retraced their steps not because they were truly repentant but because they disagreed with the new identity assumed by the Cosa Nostra organization following the rise of the Corleoneses.
The film, which represents one of the highest examples of Italian cinema of the decade, is not devoid of violence, but it is not so much the violence of the shootings and executions that are shocking as the verbal violence of the trials, and most of all, the violence of omertà and denial that seeps out of the narrative.The movie “Clyde” from 1967 revisits the story of Bonnie and Clyde from the ’30s, emphasizing the timeless appeal of escapism and freedom. It captures the essence of rebellion against authority prevalent in the ’60s. The film portrays the criminal couple’s evolving love story and their impact on the portrayal of sex, violence, and terror in cinema. It exudes a glamorous energy that can still be felt in modern gangster movies, making the characters’ eventual demise seem strangely cool.
In “Lock, Stock and Two Smoking Barrels” (1998), Ritchie modernizes the cheeky charm of “Alfie” into a ’90s London setting, incorporating elements of Tarantino’s style, flashy visuals, and a convoluted plot involving a group of East Enders attempting to settle a hefty gambling debt. The movie is characterized by swagger, entertainment, and chaos, with a rock-heavy soundtrack, sarcastic narration, and a frenetic pace that never lets up.
“American Gangster” delves into the life of Frank Lucas, a Harlem man who rises to power as a heroin kingpin in 1970s New York. The film explores themes of morality, corruption, and the contrasting lives of two Americans, offering a detailed portrayal of Lucas as a family man and a ruthless criminal intertwined with Harlem’s community. Ridley Scott presents a cinematic narrative that diverges from traditional crime films, capturing the grit and coldness of New York City.
“The Departed” (2006) stands out as a Boston-based crime thriller, a remake of the original Chinese film “Infernal Affairs.” The movie showcases a complex web of undercover operations between the police and a gang, leading to a psychological showdown. Noteworthy for stellar performances by Matt Damon and Leonardo DiCaprio, the film masterfully combines American and Chinese filmmaking styles, punctuated by Scorsese’s signature direction and a vibrant soundtrack.
“Reservoir Dogs” (1992) exemplifies Tarantino’s talent for crafting provocative dialogue and violent scenes. Through the doomed friendship between Mr. White and Mr. Orange, Tarantino offers a glimpse into the mundane yet intense lives of criminals, creating a poignant and impactful narrative that goes beyond gratuitous violence.
“Gomorrah” (2008) sets a new standard for Italian cinema, providing a realistic portrayal of organized crime in Naples. Director Garrone’s approach offers an authentic view of the Camorra-led System, eschewing Hollywood’s glorified depictions for a gritty, anthropological examination of criminality and corruption within society.
“Sergio Leone’s “Once Upon a Time in America” (1984) steers away from his Western roots to explore the mob genre. Focused on the character Noodles, played by Robert De Niro, the film delves into guilt and redemption through dreams, hallucinations, and flashbacks, showcasing Leone’s versatility as a filmmaker.
Scarface (1983)
The 1983 version of Scarface was considered by some as shallow compared to the 1932 original. Despite its excessive nature, it provides a vivid portrayal of the American criminal underworld through the story of Tony Montana’s rise and fall, satirizing themes of greed against a backdrop of drugs and violence. The film stands out for its flashy celebration of materialism and culminates in a violent climax that left a lasting impact, solidifying its status as a cult classic.
The Usual Suspects (1995)
The Usual Suspects is a clever gangster movie that delves into the dark world of crime with intricate storytelling and a surprising twist ending that keeps viewers engaged. The film follows a group of unconventional suspects implicated in a crime and keeps the audience on edge with its mix of humor, suspense, and unexpected revelations, making it a must-watch for thriller enthusiasts.
A Bronx Tale (1993)
A Bronx Tale blends elements of traditional gangster films with a poignant coming-of-age narrative that explores themes of love, loyalty, and identity. Drawing parallels to Goodfellas, the film focuses on the protagonist’s youth and upbringing, offering a unique perspective on the genre while maintaining a sense of authenticity and cultural richness.
Donnie Brasco (1997)
Donnie Brasco stands out as a captivating gangster film fueled by Johnny Depp’s convincing portrayal of an undercover FBI agent entangled in the world of organized crime. The movie deftly explores themes of loyalty, trust, and identity, creating a tense and compelling narrative that showcases Depp’s versatility as an actor and delivers a gripping storyline that keeps viewers on the edge of their seats.
Léon: The Professional (1994)
Léon: The Professional is a character-driven gangster movie that intertwines elements of action and drama to deliver a thrilling and emotionally charged story. With standout performances by Jean Reno and Natalie Portman, the film explores themes of redemption, vengeance, and unconventional relationships, offering a unique take on the genre that captivates audiences with its stylish execution and compelling character dynamics.
Carlito’s Way
Carlito’s Way, a classic collaboration between director Brian De Palma and Al Pacino, offers a nonlinear narrative that explores the rise and fall of a former criminal seeking redemption. Through its engaging storytelling and atmospheric tension, the film immerses viewers in the gritty underworld of organized crime, highlighting the consequences of a life filled with deceit and betrayal that ultimately leads to a poignant and impactful resolution.
Ghost Dog: The Way of the Samurai (1999)
Ghost Dog: The Way of the Samurai offers a unique take on the gangster genre by blending elements of spirituality, honor, and vengeance with stylish action sequences and thought-provoking themes. Forest Whitaker’s portrayal of a hitman following the samurai code adds depth to the narrative, creating a compelling character whose journey explores the complexities of loyalty and justice in a morally ambiguous world.
On the Waterfront (1954)
On the Waterfront is a classic film that delves into the themes of corruption, loyalty, and redemption amidst the backdrop of organized crime and social injustice. Marlon Brando’s iconic performance as Terry showcases the internal struggle of a man torn between conscience and duty, elevating the film with his raw emotional depth and relatable portrayal of a troubled protagonist navigating the harsh realities of a criminal underworld.
True Romance (1994)
True Romance, written by Quentin Tarantino, offers a thrilling and unconventional take on the gangster genre through its charismatic characters and fast-paced narrative. The film combines elements of romance, crime, and dark humor to create a captivating story that keeps viewers engaged until the exhilarating conclusion, making it a standout entry in the realm of crime cinema.
The Killing (1956)
If you haven’t seen Kubrick’s The Killing yet, you should definitely watch it soon. It’s a classic film that had a significant influence on Tarantino’s Reservoir Dogs and is one of the best gangster movies revolving around one last heist before retirement. The story follows a career criminal putting together a crew for a racetrack robbery to secure enough money to start a new life with his love interest. However, as expected, things go awry. Despite the predictable outcome, this film remains one of Kubrick’s masterpieces and is a thrilling watch.
Casino (1995)
A must-watch, Casino is a Scorsese masterpiece depicting the true story of Tony “The Ant” Spilotro, a prominent mob enforcer in the early 1970s. It offers a fascinating portrayal of the American mafia scene at that time and vividly brings the history of Las Vegas to life with its mix of glamour and brutality, featuring the unforgettable character of Nicky Santoro played by Joe Pesci.
The Untouchables(1987)
Featuring a stellar cast including De Niro, Costner, Connery, and Morricone, The Untouchables delves into the real-life events surrounding Al Capone’s reign in Chicago and the efforts of Prohibition agent Eliot Ness to bring him down. The film’s impactful scenes, such as Capone’s brutal actions, shocked audiences in the late ’80s, adding a sense of authenticity to the storytelling.
City of God (2002)
An intense and visually captivating portrayal of life in Rio’s slums, City of God showcases the talent of director Meirelles and a cast of non-professional actors selected for their raw authenticity. The film’s portrayal of gang warfare in a coming-of-age narrative is both impressive and gripping.
Jackie Brown (1997)
Following the success of Pulp Fiction, Tarantino’s Jackie Brown stands out with its solid storytelling and a standout performance by Pam Grier, reminiscent of her blaxploitation roles. The film’s ensemble cast, including Samuel L. Jackson, adds depth to the narrative, making it a compelling watch.
The Irishman (2019)
Martin Scorsese’s The Irishman brought together an iconic lineup of actors for a compelling exploration of loyalty and violence in the mafia world. Featuring De Niro, Pesci, and Pacino in their final collaboration, the film delves into the complex dynamics between characters like Frank Sheeran and Jimmy Hoffa, delivering a powerful narrative.
Mean Streets (1973)
Mean Streets explores the conflicts between loyalty to family and the allure of the mafia, offering a nuanced portrayal of characters torn between ambition and personal connections. Unlike grandiose mafia stories, this film focuses on the struggles of individuals caught in the web of organized crime, making it a unique addition to the genre.
